Jul 09, 2012 | Comments 10
Yep, its Monday and it sucks! So how about some of Harry’s Soapbox to channel those negative emotions – you know you’d love to!
By Harry Paterson
I upset someone recently (yeah, I know; hold the front-page, right?) with something I wrote about Coldplay winning a Brit award. The offending piece went like this…
“Dear God. Good grief. For feck’s sake. Christ Almighty. Coldplay best British band?! Let us be clear; Coldplay is the band of choice for those who don’t actually like music. Whiney, bland, soulless, corporate mogadon. Scared music might actually make you feel something? Have no fear, Coldplay are here.
Their fans are middle-class Tarquins and Jocastas. They’ll shop at Habitat and the straggly-bearded, bespectacled men, emasculated and crushed as they are, will wear their babies in papooses across their chests, all the clearer to announce the absence of testosterone, passion and recklessness of spirit.
Tarquin and Jocasta will see Coldplay live just once, preferably at Glastonbury, where they’ll bring out the Laura Ashley picnic basket, replete with Fortnum and Mason’s finest.
The edgiest experience of their pampered, middle class, suburban lives, they’ll brag about their one-off, oh-so edgy, encounter with rock ‘n’ roll, daaaahling, to their accountant and media professional friends at Islington dinner parties for the rest of the year.
Once the high of the organic Peruvian wine has set in, they’ll whip off the world music compilation recorded by Amazonian natives and slip in a Coldplay album. They’re so down with the kids. They’re so street. They’re so sex drugs and rock ‘n’ roll. Daaaahling.
Chris Martin, all wobbly and plaintive castrato, and his middle-class anaemic wife, are the poster couple for Tarquin and Jocasta. They’ll probably name their kids after them.
A band that stands for nothing, says nothing and does nothing that might actually make anyone feel anything are the soundtrack for our times. Musical valium; the perfect accompaniment to not thinking. Not caring. Not feeling. While the world slides into the abyss…
Every time someone plays a Coldplay song, the total defeat of humanity edges just that little bit closer. While ever music is the ultimate artistic expression of the human condition, while ever it remains the joyous, ecstatic celebration of what it means to be alive, to be in love, to be angry, to be sad, to be human, Coldplay will be despised by all whose hearts continue to beat.”
My contempt for this band was compounded when, after reading this, a friend informed me that Chris Martin, well known, of course, for his attachment to safe, respectable, trendy, middle-class ‘anti establishment’ causes like Fair Trade, was guilty of the following…
Allegedly, during an awards ceremony a few years ago, he’d planned on flashing the palm of his hand to the cameras upon which he’d inscribed an antiwar message. So far, so good until, again allegedly, someone told him the label wouldn’t like it and it would damage the band’s sales in America whereupon the offending message was removed.
I’ve no idea if the story is true or not but I confess to readily accepting it as entirely plausible. Let’s face it; it fits perfectly, doesn’t it? This, I’d remind you, comes from a Lib Dem supporter, a man who’s best song, as well as ripping off Joe Satriani, is a plaintive whine about a king being deposed by revolutionaries. Yeah, trust Chris Martin to take the side of the privileged monarch and bleat that he is forced to “…sweep the streets [he] used to own.” Rooting for the under-dog, eh? How very rock ‘n’ roll of you, Chris…
However, I’m digressing; the point is that my friend, on receipt of my predictable tirade said, “But H; music shouldn’t be about politics. Music has absolutely no place concerning itself with politics.” Excuse me? Really? Well, bollocks to that and bollocks to your artistic self-censorship as well.
The Clash, Stiff Little Fingers, Bruce Springsteen, U2 (when they were a great band and not the bloated pompous sell-outs they are today), Crass, New Model Army, Manic Street Preachers, Queensryche, Elvis Costello and The Jam, to name just a few, produced their very best music when they were political, when they were angry, full of fire and youthful zeal. Even the bleak apolitical nihilism of extreme metal is to be welcomed. At least it’s genuine.
As far as I’m concerned an artist’s job is to express him or herself honestly and if the form of that expression is political then so be it. In fact, I’d go further; rock ‘n’ roll is supposed to be anti-establishment, it’s supposed to be the music of outsiders and it’s supposed to want to change the world. It’s at its most thrilling, visceral and vital when it’s passionate.
So does this mean, then, we should condemn bands that aren’t political? Of course not. Don’t be stupid. But we certainly shouldn’t be condemning those who are, either. Quite the reverse; we should applaud and celebrate such artists. In a world such as the one in which we currently live, we need more angry political musicians, not fewer. We need more artists giving a damn and telling us why we should, too. I want my rock ‘n’ roll to be full of passion, anger and rebellion. I want it to wield the power to make me think. To make me want to change the world. To make me believe that I can.
The way things are at the moment, If and when the revolution comes, it’ll be sponsored by Country Life with Johnny Rotten whoring it to the masses. Insurance companies will take out billboard-space on the barricades with Iggy Pop grinning shamelessly at the proletarian vanguard and Coldplay will probably provide the soundtrack.